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Letter
from
the Publisher
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Welcome
to the November 2002 issue of The Digital Journalist, the monthly webmagazine
for photojournalism.
For the past three
decades, David Hume Kennerly has been one of the most visible photojournalists
in the world. While working for United Press International in Vietnam,
he won a Pulitzer Prize. Shortly thereafter, he was the last photographer
to be hired by the old Life as a staffer. In the mid-1970s the brash,
young photographer became President Gerald Ford's personal photographer,
and then went on to be a contract photographer for Time, and then his
current job as a contributing editor for Newsweek. One of the descriptions
very few of his colleagues ever thought they would accord him was artist.
Yet in 2000 he undertook a unique challenge, to document a whole year,
one day at a time. University of Texas Press has just published the result
in a new book, Photo Du Jour. The exhibit based on the book is now open
at the Smithsonian Museum in Washington, D.C. We feature some of the pictures,
along with David's streaming video commentary.
Last year, photographer Nubar Alexanian contributed a
feature to The Digital Journalist with his photographs of Gloucester,
Massachusetts. This month he offers us his pictures from his new book
Wynton Marsalis, Jazz. He spent over a year touring with the famed trumpeter,
and Wynton provides the music for our site. David Friend contributes an
introduction to Nubar's latest project.
David Friend also led us to our main text feature, an
incredible story about "What Happened to the Bodies?" of Iraqi
soldiers who simply disappeared in the heat of conflict. Pat Sloyan, a
Pulitzer Prize winner for his coverage of Desert Storm for Newsday, did
this special report that raises the sort of questions that we should all
be pondering about the modern coverage of warfare, as we prepare to go
to war once again in Iraq.
Both the Washington Times's Cliff Owen and our TV Newz
contributing editor look at how the media covered the hunt for the sniper
in Washington, D.C.
New York Times photographer Eddie Keating is in the hot
seat following charges by other photographers that he staged a photograph
while covering an assignment. The Assignment Sheet editor, Dick Kraus
mulls over some of the issues involved, while we explain how what seems
at the time to be an innocent act can wind up getting both a photographer
and a newspaper in serious trouble.
On a much lighter note, David Friend feels like he is
being OD on “The Day In The Life Of…” Our Amy Bowers
creates a fictional day in the life of a harassed television photojournalist
in "Duncan Blitz's Off Day."
A few weeks ago, photographer Jose Azel, the owner of
the Aurora Agency, was having dinner with our Contributing Editor David
Friend, and sketched for him on a napkin a beginning of a plan to allow
photographers to use the unique characteristics of the web to market their
work. In some ways, it is a continuation on the same subject that Brian
Storm wrote about in the spring. We invite you to share the conversation
on "Napkins and Photo Journalism."
James Colburn frets about the next big step in Digital Cameras, and how
much it is going to cost him, while Bill Pierce goes into "The Never
Ending Diatribe of Digital Versus Film."
Our editorial looks at the ongoing battle between photographers
and the National Geographic over their CD series, and talks to photographic
doyen Arnold Newman about the negative changes in
photojournalism as a career.
Mark Loundy in "Common Cents" talks about how
to get a decent budget out of a client, and the benefits of "simply
saying no."
In September, we welcomed Alison Beck, Associate Director
of UT's Center of American History as a columnist to cover the directions
in the area of photographic archiving. This month, Alison welcomes her
colleague Dr. Patrick Cox, professor of journalism history at UT, to talk
about photographic history, in his column "Remember the Alamo?"
In the camera corner our videosmith, Steve Smith reviews
the new Panasonic DVX100, the first budget-priced 24fps video camcorder.
Finally, we would like to announce a partnership with
the Center For American History at The University of Texas at Austin beginning
with this issue. The Center is helping to fund some of our multimedia
presentations with important photographers. This month, the Center sponsors
our feature with David Kennerly. Diana Walker will be highlighted in the
December issue followed by Arnold Newman in January 2003. The Center’s
director, Don Carleton, believes that these will help to provide research
resources for future generations. We are proud to have them associated
with us.
We hope you enjoy this issue
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