MORNING RITUALS
& PHOTOGRAPHIC PASSION
by Joyce Lin
Contributor/
UCLA Daily Bruin/ Los Angeles, CA
Morning Shooting Rituals- 3/12/05, Glendora, CA
© Joyce Lin
Morning ritual
photo: groggy from waking up too late, yet pleased
by the sunlight and promise of a gorgeous day.
I made the "morning rituals" pic outside.
I woke up later than usual that day, and the sun was
already out (I usually wake up before the sun), so I
went outside, laid the camera on the grass, and tried
a soft-focus backlighting effect with me showering
the camera with flowers,
but soft-focus so that it's abstract and not too literal
(and cliche). I was feeling happy that morning, thus
the flowers and bright nature of the photograph, which
I think succeeded.
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Something I just started (I got the idea from a sportsshooter.com message board
post) is shooting every morning, immediately after I wake up, before I formally
start my day. I’ve been doing the shoot-every-morning ritual for about
a week now, and I can verily say it’s the best morning-ritual yet,
and usually my favorite part of the day. There’s just something so
delicious about popping out of bed, then, even before going to the bathroom
or brushing my teeth, just taking the moment to ask myself, “How do
I feel right now?” (In the mornings, I have different moods, depending
on the sleep situation: if I over-sleep, then I feel either groggy or angry.
If I get up early with the appropriate amount of sleep, then I feel energized
and excited to start the day. If I fall asleep wrong (ie. At my desk) then
I feel stressed and confused. Etc…) I then try to make a photograph
which conveys that mood. The shoots usually last about half an hour. I can’t
say that I’ve really succeeded in conveying all of my morning moods
yet. Most of the resulting photographs are rather intimate, because I’m
usually not inclined to rush out of my room sans morning cleaning or dressing
rituals with nothing but my camera, therefore I am usually confined to my
room. The morning shootings, however, allow experimentation with lighting
(both natural and manipulated) and a certain bit of playing around with the
camera (such as soft focus, weird lighting, and odd compositions) which usually
isn’t possible in a formal shooting situation. The morning-shooting
ritual allows me to start off the day with creativity and the camera (a perfect
mix) while encouraging experimentation through the absolutely free situation.
No one ever has to look at these photographs beside myself, which let’s
me play with them with no qualms whatsoever. What a wonderful way to wake
up! |
Photographic Passion
Superceding Academic Motivation- 2/15/05,
Los Angeles, CA
It’s so difficult motivating myself to stay interested in my
studies, now that I am so serious about photojournalism. I find everything
else so futile and stupid; all I want to do is shoot. What is the
point of learning this art history and art theory? I need to apply
my knowledge to the world; that’s the only way to gain more
knowledge, through experience! Sitting around and reading, listening
to lectures, and writing papers does absolutely nothing for me, especially
in this desired field…
There are several potential stories that really interest me back
in Glendora, but my weekends haven’t been free to return home
to shoot. Actually, most takes place during the week, and I also
need the weekdays to get in touch with these people so I actually
can follow them about and shoot them. I find it’s much easier
shooting someone when it’s already been arranged for me; I
hate all this preliminary calling, waiting, and recalling. It’s
rather annoying, especially, when they don’t call back. Man,
life would be so much easier if I could just… shoot.
Questioning the Passion- 3/10/05, Los Angeles, CA
I sent out about 10 applications for newspaper photojournalism
internships about a month ago, and just received 2 replies: one
rejection and
one postcard informing me that they received my application.
What took so long? Why is it taking so long? I anxiously await
replies
from all of the other papers. From sportsshooter.com postings,
I’ve
gathered that most students send out about 30-40 applications. I
applied to mostly smaller papers, since I know it’s nearly
impossible for me to get an internship with a larger newspaper, since
I’ve currently only worked for the school paper and this tiny
little weekly paper back home. However, I NEED a summer internship
if I ever want to proceed with this job (or at least get started
once I graduate), since graduation looms in about a year. This will
be my final summer as a college student! This is my last chance before
I hit the real world! Man, this is scary… I hope they will
reply positively. I wish they would at least just call or email to
let me know that they received my application. I worked really hard
on pulling together a portfolio. It’s been so difficult to
shoot recently, due to my several upper division classes. There was
a period when I privileged my shooting over my studies, and experienced
some nice improvement in my photography… and horrible decline
in my grades. Those are the times when I wish I was free of this
darn college and out in the real world learning, working on, and
improving my photography. Truly, all I want to do is shoot… at
this moment. Sometimes I question if this passion is for real, if
I can truly sustain this interest in photography for the rest of
my life. Right now, I think it’s the greatest thing ever, and
there is so much to learn and explore. Right now, I feel as if there’d
be nothing better to do than spend the rest of my life making photographs.
But what if that changes? I can’t see that far; I can only
see the present… and I presently feel as if this is truly my
future, and what I want to do for the rest of my life. My parents
are against the decision, however. They feel like it’s an unstable
profession and I won’t be able to sustain myself. They’d
prefer for me to become a teacher or something “that gets a
stable source of income.” Newspaper staff photographers get
a stable source of income, albeit a low income. Magazine photographers
pull a pretty hefty income, but it’s more up-and-down. I don’t
know; I don’t know. We’ll see… regardless of what
they and everyone else says, I’m just going to keep going with
what I’m doing , because ultimately, it’s my life, and
I’ll never be able to determine what’s right or wrong
for me until I reach that stage of my life and experience it for
myself.
Joyce Lin
jazamoo@hotmail.com
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