I used to think I was a photojournalist. I didn't just work at photojournalism; news photography was wrapped around my very soul.

Oh, the differences between Washington and Central America.

Stories about how photojournalists craft their work are engaging to anyone who is interested in learning more about the process.

Just about the time this column appears on the Web, the 2005 AIPAD Photography Show will be held in New York.

Word has spread that what used to be known as the Saigon Press Corps will descend once more on the former capital of South Vietnam.

I've been in New York for 26 years; why I have no idea, but it's the longest I have ever lived anywhere continuously. To live here is to be in close contact on a daily basis with people in varying stages of mental derangement.

I don't know whether or not the Scottish author Robert Louis Stevenson was also a photographer, but he certainly thought like one when he said: "Our business in this world is not to succeed, but to continue to fail, in good spirits."

Welcome to the February 2005 issue of the Digital Journalist, the monthly online magazine for visual journalism.

We depend on pledges to be able to continue to bring you this magazine.

Despite wishes, dreams, hopes and predictions, the end of network news as we know it is still far in the future.

You can find him in every engineering shop, a strange fellow tucked away in some corner who just doesn't seem to click with everybody else.

Journals by Anonymous and Dick Kraus

How a $150 Radio Shack scanner could have saved hundreds of firefighters' lives on 9/11