Welcome to the July 2004 issue of The Digital Journalist, the monthly online magazine for visual journalism.

We depend on pledges to be able to continue to bring you this magazine.

Last month I said we would talk about some of the changes a good black-and-white silver printer has to make in his technique when he moves to the dry darkroom of the computer.

This month we feature a Q&A with Wade Goddard, curator of War Photo Limited, a new museum of war photography located in Dubrovnik, Croatia.

Truth is, the world runs on doughnuts.

Technology has turned the photography industry upside down.

Photojournalist Peter Turnley and Harper's Magazine will debut in the August issue the first of four major eight-page photo essays by the New York- and Paris-based journalist, stories that Harper's Magazine will showcase over the next year.

We should be ashamed of ourselves for being journalists. If it weren't for us the world would be in much better shape.

Each of us should have our own basic contracts ready to present to clients.

I now observe life not only in moments, but also in sequences.

Who's to blame that the news is often obsessed with pop culture at the expense of important (often foreign) matters?

Throughout the history of amateur radio communications, licensed groups of two-way radio operators have regularly proven to be a reliable backup for existing governmental communications agencies.

"Control Room" is not a great film when we look at it as filmmaking.

It's about time for The Digital Journalist to acknowledge an unofficial but notable side of digital life, comprised of photographs and short videos that come across our desktops on a daily basis via e-mail.

Take a journey through the battlefields of Iraq with Inquirer photographer David Swanson.