Issue Archives


December 2006

by Chuck Westfall
by Ron Steinman
by PF Bentley
by Mark Loundy
by Jim Gabour
by Mark Doremus and Karen Slattery
by James Colburn
by Marianne Fulton
by Brent Stirton
by Erin Trieb
by Beverly Spicer
by Peter Howe
by Peter Howe


November 2006

Welcome to the November 2006 Issue of The Digital Journalist
by Peter Howe
Over a period of more than 30 years I covered presidential campaigns and the White House. Regardless of how well planned and well-intentioned the people who undertake to lead the nation are, their success or failure is often determined by photo ops.
by Dirck Halstead
While I certainly understand your argument that a reporter's privilege must be very narrowly applied or the justice system would collapse, I cannot help but feel the criterion you've proposed is inherently flawed.
by Karen Slattery and Mark Doremus
Bad compression happens to good people
by PF Bentley
It's been nearly 10 years since I started to write about the Platypus. The idea was that eventually photojournalists would move to video to tell their stories.
by Dirck Halstead
Earlier this year, Canon introduced its first High Definition DV camcorder, the XL H1.
by Dirck Halstead
If you read this column regularly, you're used to seeing reports about contracting markets, falling rates, rights grabs, etc.
by Mark Loundy
Shopping. It is the only weapon offered the American people to fight the War on Terror, now known as the Global Struggle Against Extremism.
by Beverly Spicer
OK, I admit it. I sleep with a 10-year-old boy every night.
by Jim Gabour
The new book Picture This!: The Inside Story and Classic Photos of UPI Newspictures (Bulfinch Press, 2006), was organized and written by Gary Haynes, a former UPI photographer.
by Marianne Fulton
I wonder if you can comment on the technical and business feasibility of making a digital camera body that has, like the lens and memory, an interchangeable image sensor and image processor?
by Chuck Westfall
The other day I was on a bus in Manhattan going crosstown from 79th Street and Broadway to Park Avenue and 79th Street, a pleasant ride on a sunny day, mainly through Central Park.
by Ron Steinman
Color slide film, the first color film used for photojournalism in the newsmagazines, was easy to edit but hard to expose correctly.
by Bill Pierce
In last month's issue I was bemoaning the fact that modern-day video equipment seems to be right-eye-centric.
by James Colburn
"There's been a coup! There are APCs rolling down Silom Road right now mate, get your kit!"
by Richard Humphries
To get great access to the street I needed a person of substantial thug credibility.
by Mark Allen Johnson
by Marianne Fulton
Unsurprisingly, the Afrikania Mission jealously guards its shrines from journalists.
by Peter Pattisson
We all have different methods: mine revolves around natural curiosity.
by Balazs Gardi
Fugitives, the images provide their own answers to the "major riddle" of Asia â¦
by Yannis Kontos
India is like a jazz song, a meaningless chaos for the outsider, an enchanting world for the connoisseur.
by Miki Alcalde
Steve Simon, a Canadian photographer of great talent, now lives in New York and has produced several photo books of his documentary essays.
by Marianne Fulton
When the flamboyant American Basketball Association (ABA) merged with the National Basketball Association in 1976, the deal brought with it more than new teams in new cities.
by Terry Heaton


October 2006

Welcome to the October 2006 issue of The Digital Journalist, the online multimedia magazine for photojournalism.
by Dirck Halstead
In last month's edition of The Digital Journalist, editor and publisher Dirck Halstead noted that photojournalism professors at several major universities had made the online magazine required reading in their classes.
by Lorraine E. Branham
"Authorship, authorship, authorship" was the mantra set forth by David Alan Harvey on day one of what was about to be an incredible week of photography.
by Lance Rosenfield
Rounding upwards has been around since people first started estimating.
by Terry Heaton
A criticism of Canon digital SLRs for a long time, and in fact DSLRs from a number of manufacturers, is the lack of a permanent place on the top LCD, and more importantly in the viewfinder, to display the active ISO speed.
by Chuck Westfall
This column will ask which came first, the chicken or the egg.
by Ron Steinman
I'm told that Paul Strand printed on platinum for as long as possible, holding out against silver and even having the folks who were producing his paper double-coat it so it was more platinum than most platinum.
by Bill Pierce
I was directing four days of high-definition television broadcasts at the National Association of Broadcasters annual show in Las Vegas last spring when I suddenly encountered more Lebanese nationals than I had ever met before.
by Jim Gabour
What if the day came when hometown papers and TV stations could no longer shoot professional sports in their own town?
by Mark Loundy
At this writing, Josh Wolf is sitting in a federal prison in Dublin, California.
by Mark Doremus and Karen Slattery
It would be a prize-winning achievement for an author to come up with a work of fiction that would even begin to touch the real-life drama we have been witnessing for the last 5 1/2 years.
by Beverly Spicer
Why is it that whenever you're looking for a Phillips-head screwdriver the only things that you can find in the kitchen drawer are flat-head screwdrivers?
by James Colburn
The wedding had begun the morning before and showed no sign of slowing down....
by Jeremy Sutton-Hibbert
In August 2005, I headed back to my home country after an eight-year absence to film a documentary on the Israeli evacuation of the Gaza Strip.
by Shaul Schwarz
It was very difficult to find a tribe that a journalist, Marie, and I could follow to make the trip from Pakistan into Afghanistan.
by Véronique de Viguerie
My satellite phone rang...
by Roger Arnold
It all started with a glass of champagne — sparkling white wine for those who will argue that champagne can only be produced in that region of France.
by Mike Fox
Jay Mather has had the kind of career that most young photojournalism students dream about.
by Peter Howe
One of the most important times in a photographer's career is the publication of a retrospective.
by Beverly Spicer


September 2006

by David Hume Kennerly
by Dirck Halstead
by Dirck Halstead
by Ron Steinman
by Beverly Spicer
by Jean-François Leroy
by James Colburn
by Michal Novotny
by Norman Ng
by Mark Loundy
by Bea Ahbeck
by Jim Gabour
by Jim Gabour
by Paula Bronstein
by Bill Pierce
by Ake Ericson
by Marianne Fulton
by David Friend


August 2006


July 2006


June 2006


May 2006


April 2006

Welcome to the April 2006 issue of The Digital Journalist, the monthly online magazine for visual journalism.
by Dirck Halstead
The Olympics in Torino, a return to Chernobyl, an insider's view of the Boston Marathon and an Iranian look at the individualistic rituals observed during the Islamic ceremony of Ashura.
Edited by Marianne Fulton
"The biggest myth about photojournalists is that we're all cowboys."
by Greg Kelly
My two brothers and I grew up in a small, two-bedroom bungalow in Grand Rapids, Michigan.
by Terry Heaton
The movie Nazis are out there again. This must be the fourth or fifth time this year already.
by Peter Howe
Most dictionary definitions of the word "speculation" include references to gambling.
by Mark Loundy
Are you a photographer? Do you have lots of bags lying around the house? Probably.
by James Colburn
"If you think you are storing your digital records for posterity ... well, nobody is going to hang your hard drives on the wall. They want prints."
by Bill Pierce
I'm a member of the Canon Professional Services (CPS) program in the U.S.A., but will be working in France for a month or so. What if I need service or a loaner in France?
by Chuck Westfall
According to Reporters Sans Frontieres -- Reporters Without Borders -- at least 83 journalists from those countries covering the war in Iraq have been killed there since its start in the spring of 2003.
by Ron Steinman
Canon has always taken a "wait and see" attitude when it comes to introducing its new video products.
by Dirck Halstead
Now that small-camera high-definition video is a reality, there's an awful lot of confusion about the relative quality of the myriad of variations.
by Steven Trent Smith
I was thinking about tangled webs and SNAFUs recently, and it occurred to me that things these days are not only rather snarled and tangled, but we are all just too wired, in every sense of the word.
by Beverly Spicer


March 2006

Welcome to the March issue of The Digital Journalist, the online monthly magazine for photojournalism.
One of the fundamental beliefs of the Judeo-Christian experience is the inherently sinful nature of humankind.
by Terry Heaton
I would like to use the remote capability of my EOS 20D (via Zoombrowser EX) in my studio.
by Chuck Westfall
It was on a Sunday in late 1959.
by Ron Steinman
I should begin by pointing out that I'm fairly new to video.
by Bill Southworth
Nothing, I mean nothing, can stop the intrepid Mr. Faas.
by Steve Stibbens
How can you tell a photographer what you want?
by James Colburn
"Henri Cartier-Bresson: The Impassioned Eye" is not a documentary in any of the many accepted forms we know.
by Ron Steinman
I had photographed as they began to cut their heads and bodies with various sharpened blades of all shapes and sizes.
by James Pomerantz
Finding a once-every-12-years Jain Festival, where millions partake in the ritual bath of a giant statue in India, was a unique experience.
by Mario Tama
The Bugti tribe and their allies, the Marris, to the north attack Pakistani garrisons daily, exchanging mortar fire with the much larger and better equipped army.
by John Moore
Ramadi was indeed the front line of the "War Against Terror" in Iraq.
by Guy Calaf
OK, I've made sure that I'm covering my cost of doing business...
by Mark Loundy
Nineteenth-century author Henry David Thoreau said, "If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them."
by Beverly Spicer
John Francis Ficara's elegant take on black farmers in America documents a vanishing way of life and points to failures of social justice that sadly contribute to its passing.
by J.B. Colson
The watchdog organization Reporters Sans Frontieres recently issued a disturbing report on the hazards faced by journalists in 2005.
by Peter Howe


February 2006

Letter from the Publisher
Welcome to issue number 100 of The Digital Journalist, the monthly online magazine for visual journalism.
by Dirck Halstead
Photographing "Munich"
My first trip to a movie set was in 1975.
by Karen Ballard
Tech Tips
I've never understood why Canon has placed the seven cross-sensors vertically down the center of the frame of the 1D series cameras...
by Chuck Westfall
A Bird's View of History: The Digital Camera and the Ever-Changing Landscape of Photojournalism
Someone once said that it takes at least 25 years for the historical significance of anything -- a war, natural disaster, or an invention -- to be fully appreciated and understood.
by Dennis Dunleavy, Ph.D
Some Things Never Change
When J. Brandon Nightengale was assigned to write a paper for a class at the Brooks Institute of Photography in Ventura, Calif., this term, he probably never dreamed he would be part of this month's "Ethics" column.
by Karen Slattery
Trust
A couple of weeks ago I was assigned to cover a funeral.
by Denny Simmons
Dealing with Darkness
Lately, I've been in a rut in my life and photography. I haven't been shooting as much as I want and need, and it shows in my work.
by Joyce Lin
Through a Lens Dimly: Working with Dorie
Dorie was a piece of work. She was also Newsday's Home writer.
by Dick Kraus
Editorial: The 100th Issue (More or Less)
According to the number on our contents page, this is our 100th issue of monthly publication of The Digital Journalist.
From The Mouths Of The Masters, A Deeper Truth
Photojournalism is alive and well, and often it's found hanging out with a few of its far-flung friends at the digital water cooler, which is now otherwise known as The Digital Journalist, Dot Org even.
by Donald Winslow
Why I Write for The Digital Journalist
My first piece for The Digital Journalist appeared April 2003.
by Ron Steinman
Common Cents: Friends and Enemies
Some of the rewarding things about our business are the professional relationships that we form with our clients.
by Mark Loundy
TV News in a Postmodern World: The Unbundled Newsroom
My father worked in a furniture factory to support his family in the 1950s and early 1960s.
by Terry Heaton
Nuts & Bolts
This being the 100th, or sort of the 100th, issue of The Digital Journalist, I am sure that phrases like "THE DIGITAL REVOLUTION" will abound in some of the articles.
by Bill Pierce
Reality, Inventiveness and Moonwalking
It is debatable whether reality has ever ruled in our lifetime, and if it has, has it done so for long?
by Beverly Spicer


January 2006

Letter from the Publisher
Welcome to the January issue of The Digital Journalist, the monthly online magazine for visual journalism.
by Dirck Halstead
Dispatches: Notes from the Field
This month "Dispatches" looks at two different electoral processes. Both Bolivia and Iraq have had historic elections. In Bolivia, native Indian Evo Morales campaigns with a revolutionary platform and evokes emotional responses. The Iraqi elections for a permanent government, the first, take place amidst security concerns.
Edited by Marianne Fulton
Supreme Court's Refusal To Hear National Geographic CD-ROM Case Leaves Conflicting Copyright Rulings
BUFFALO, N.Y. (Dec. 16, 2005) - In two cases that pit the National Geographic Society against a number of freelance photographers, the United States Supreme Court this week refused to grant a petition for certiorari (appeal).
by Mickey H. Osterreicher, Esq.
Tribute to Michael A. W. Evans
ATLANTA, GA. (Dec. 1, 2005) - Michael A. W. Evans, a noted newspaper, magazine, President's photographer, early developer of software systems for cataloging photography collections and picture agency ZUMA Press' first CTO and father of their original database, died peacefully Dec. 1, 2005, while surrounded by his family at his home in Atlanta.
by Scott McKiernan
Nuts & Bolts: Michael Evans
In the early morning hours of December 1, 2005, Michael Evans died.
by Bill Pierce
Curing the Still Animation Headache Moving Pictures from Stage Tools
Size really does matter when it comes to creating high-quality animation on still photos for broadcast.
by William Campbell
Tech Tips
Happy New Year to "Tech Tips" readers!
by Chuck Westfall
Two Sides of a Coin: Brian Williams and Ted Jackson
You are about to read the story of two different men, both journalists.
by Ron Steinman
TV News in a Postmodern World - 2006: The Unbundled Awakening
This was a difficult and troubling year for the broadcasting industry, as a confluence of challenging but predictable disruptions continued to eat away at the industry's value propositions.
by Terry Heaton
Ethics: Fewer 'Journalists,' More 'Professionals'
With the rapid proliferation of news outlets and the expanding cohort of bloggers and other journalistic do-it-yourselfers making their marks online, mainstream reporters and photographers are clearly facing a crisis of identity.
by Erik Ugland and Karen Slattery
A Photographic Journey Inward
Some of the most meaningful and most important images of my career as a photojournalist were made this past year.
by Sean Cayton
Through a Lens Dimly: 'Tis the Season
Another holiday season has passed and I wax nostalgic thinking about the many holidays that I endured over my 42 year career with Newsday.
by Dick Kraus
Through a Lens Dimly: The Wire Room
"Chirp, Chirp. Chirp." Those damned electronic cricket noises used to eat holes in what was left of my brain.
by Dick Kraus
Putting the Happy in Happy New Year
Starting on January 1st, everyone everywhere has been offering each other the standard greeting of "Happy New Year!"
by Beverly Spicer


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